A.) fads and intellectual pomposity, his introspective neuroses and pessimism, his requisite jokes and psychosexual frustration about sex, numerous put-downs of his own appearance and personality, and distorted memories of his childhood.
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Full of loneliness and misery and suffering and unhappiness, and it's all over much too quickly.
His second joke pays tribute to key individuals in his life - Groucho Marx and Sigmund Freud. From Freud's writings on wit and jokes, the 'pleasure mechanism', neuroses, dreams, and psychopathology [the content of the film, in fact!
[Note: Allen later directed murder mysteries to satisfy that impulse: Shadows and Fog (1992), and Manhattan Murder Mystery (1993) - retooled from this script.] In addition to Allen's Hannah and Her Sisters (1986), this was one of his most commercially-successful films (at a budget of $4 million, it brought in a box-office of $40 million).
Annie Hall capitalized on many of the ingredients that had been the content of his earlier films - the subjects of anti-Semitism, life, romantic angst, drugs and death, his obsessive love of New York, his dislike of California (mostly L.
[Note: A real-life relationship and breakup did occur in early 1970 between Allen and co-star Keaton.